Casey’s Elvis impersonator act is replaced by the new drag show in town. With rent overdue and a baby on the way, “The King” transforms into an all-out queen with the help of his new friends, challenging perceptions of identity and gender roles with extraordinary humor and depth. Support American Theatre: a just and thriving theatre ecology begins with information for all. Please join us in this mission by making a donation to our publisher, Theatre Communications Group. When you support American Theatre magazine and…