It’s 1957 in New York City, and Wiletta May — an African American actor in rehearsal for a new Broadway play — doesn’t intend to cause trouble. The stakes are high, but this satire of backstage drama and racial tropes will make you both laugh and stop to think. Support American Theatre: a just and thriving theatre ecology begins with information for all. Please join us in this mission by making a donation to our publisher, Theatre Communications Group. When you support American Theatre magazine…