A Texas playwright takes on an iconic Texas politician in ‘All the Way’ and ‘The Great Society,’ and finds a figure of Shakespearean—i.e., tragic—proportions.
Readers respond to our stories about immersive theatre, new work from Ayad Akhtar, and ‘Chance’ magazine.
Chautauqua arts institutions engage in a cross-disciplinary collaboration using multiple Romeos and Juliets.
Geoff Sobelle takes cues from comedians in his new show at FringeArts.
Batten’s new show copes with parent/daughter divide by bringing the parents onstage.
The awardees includes Rebecca Young, Adrian Hall, Kinan Valdez, and Deborah Cullinan.
From the Welders, to cheap tickets at Huntington Theatre Company, to August Wilson on the radio, to all the Lucy Thurber plays you can ever want—this month in national news.
At the 2013 Conference, theatre artists went back to their roots to “Learn, Do, Teach” and tackle the topics of innovation, audience engagement, diversity and inclusion, and financial adaptation.
Readers wrote in to quibble with or praise Johnna Adams’s ‘Gidion’s Knot’ and immersive theatre.
Kwame Kwei-Armah hits his stride as the artistic director of Center Stage in Baltimore.