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"Good People" by David Lindsay-Abaire, at American Stage Theatre Company in St. Petersburg, Fla., through Oct. 2. Pictured: Bonnie Agan, Vickie Daignault, and Rebecca Dines. (Photo by Kara Goldberg)
From family matriarchs to Elvis impersonators, from Cincinnati to Phoenix, it is a varied week for theatre.
By American Theatre Editors
“A Prayer for Owen Meany,” adapted by Simon Bent from John Irving, at Cincinnati Playhouse in the Park through Oct. 1. Pictured: Jeremy Webb, David Whalen, and Gardner Reed. (Photo by Mikki Schaffner Photography)
“August: Osage County” by Tracy Letts, at Marin Theatre Company in Mill Valley, Calif., through Oct. 2. (Photo by Kevin Berne)
“Dear Master” by Dorothy Bryant, at Aurora Theatre Company in Berkeley, Calif., through Oct. 2. Pictured: Michael Ray Wisely and Kimberly King. (Photo by David Allen)
“Good People” by David Lindsay-Abaire, at American Stage Theatre Company in St. Petersburg, Fla., through Oct. 2. Pictured: Bonnie Agan, Vickie Daignault, and Rebecca Dines. (Photo by Kara Goldberg)
“In the Heights,” by Lin-Manuel Miranda and Quiara Alegría Hudes, at Phoenix Theatre in Ariz., through Oct. 2.
“Million Dollar Quartet,” by Floyd Mutrux and Colin Escott, at Cape Fear Regional Theatre in Fayetteville, N.C., through Oct. 2. Pictured: Joe Boover and cast. (Photo by Curtis Brown Photography)
“The Diary of Anne Frank,” adapted by Wendy Kesselman from Frances Goodrich and Albert Hackett, at Cincinnati Shakespeare Company through Oct. 1. Pictured: Jim Hopkins, MKelly Mengelkoch, Caitlin McWethy, and Courtney Lucien. (Photo by Mikki Schaffner Photography)
“The Legend of Georgia McBride” by Matthew Lopez at Ensemble Theatre Cincinnati through Sept. 25. Pictured: Bruce Cromer and Michael Gerard Carr. (Photo by Ryan Kurtz)
“Trevor” by Nick Jones, at Artists Repertory Theatre in Portland, Ore., through Oct. 9. Pictured: John San Nicolas, Sarah Lucht, and Vonessa Martin. (Photo by Owen Carey)
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