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"Our Enemies: Lively Scenes of Love and Combat" by Yussef El Guindi, at Golden Thread Productions in San Francisco through Nov. 20. Pictured: Denmo Ibrahim and James Asher. (Photo by David Allen Studio)
From street urchins to the royal rulers, from Ferris wheels to locker rooms, it is a dramatic week.
By American Theatre Editors
“4000 Miles” by Amy Herzog, at the NOLA Project in New Orleans through Nov. 5. Pictured: James Bartelle and Carol Sutton. (Photo by John Barrois)
“Appropriate” by Branden Jacobs-Jenkins, at Actor’s Express in Atlanta, through Nov. 20. Pictured: Alexandria Ficken, Jan Wikstrom, and Devon Hales. (Photo by Chris Bartelski)
“Bright Half Life” by Tanya Barfield, at Profile Theatre in Portland, Ore., through Nov. 13. Pictured: Maureen Porter and Chantal DeGroat. (Photo by David Kinder)
“Dry Land” by Ruby Rae Spiegel, at Mildred’s Umbrella Theater Company in Houston, through Nov. 5. Pictured: Kat Cordes and Skyler Sinclair. (Photo by Gentle Bear Photography)
“Heisenberg” by Simon Stephens, at Manhattan Theatre Club in New York City, through Dec. 11. Pictured: Denis Arndt and Mary-Louise Parker. (Photo by Joan Marcus)
“Oliver Twist,” adapted by Patrick Mullins from Charles Dickens, featuring music by Jake Hull, at Virginia Stage Company in Norfolk, Va., through Nov. 13. Pictured: David Hopkins and cast.
“Our Enemies: Lively Scenes of Love and Combat” by Yussef El Guindi, at Golden Thread Productions in San Francisco through Nov. 20. Pictured: Denmo Ibrahim and James Asher. (Photo by David Allen Studio)
“The Audience” by Peter Morgan, at Maltz Jupiter Theatre in Jupiter, Fla., through Nov. 6. Pictured: Karen MacDonald and Skye Alyssa Friedman. (Photo by Alicia Donelan)
“True West” by Sam Shepard, at Road Less Traveled Productions in Buffalo, N.Y., through Nov. 20. Pictured: David Mitchell and Matt Witten. (Photo by Gina Gandolfo-Lopez)
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