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The national magazine for the American not-for-profit theatre
'Savage/Love' by Joseph Chaikin and Sam Shepard at Single Carrot Theatre in 2016. Pictured: Kellie Mecleary and Genevieve de Mahy. (Photo by Britt Olsen-Ecker.)
From Los Angeles to Baltimore, from wagoning pioneers to mathematical geniuses, it is a varied week for theatre.
By American Theatre Editors
“Billy Elliot,” by Elton John and Lee Hall, at Phoenix Theatre through Dec. 24. Pictured: Seth Judice. (Photo by Reg Madison Photography)
“I Am My Own Wife” by Doug Wright, at About Face Theatre in Chicago through Dec. 10. Pictured: Scott Duff, Matt Holzfeind, Delia Kropp, and Ninos Baba. (Photo by Michael Brosilow)
“Mary’s Wedding” by Stephen Massicotte, at American Players Theatre in Spring Green, Wisc., through Nov. 20. Pictured: Laura Rook and Nate Burger. (Photo by Liz Lauren)
“Proof” by David Auburn, at True Colors Theatre Company in Atlanta through Nov. 20. Pictured: Fedna Jacquet and Tinashe Kajese. (Photo by Greg Mooney)
‘Savage/Love’ by Joseph Chaikin and Sam Shepard at Single Carrot Theatre in 2016. Pictured: Kellie Mecleary and Genevieve de Mahy. (Photo by Britt Olsen-Ecker.)
“Smokey Joe’s Cafe,” by Mike Stoller and Jerry Leiber, at the Finger Lakes Musical Theatre Festival in Auburn, N.Y., through Nov. 19. Pictured: Denzel Edmondson, Chris White, Gabriel Mudd, and Cornelius Davis. (Photo by Ron Heerkens Jr.)
“The Oregon Trail” by Bekah Brunstetter, at Portland Center Stage in Portland, Ore., through Nov. 20. Pictured: Sarah Baskin and Alex Leigh Ramirez. (Photo by Patrick Weishampel/blankeye.tv.)
“Waiting for Grace” by Sharon Sharth, at Odyssey Theatre Ensemble in Los Angeles through Dec. 11. Pictured: Lily Knight, Sharon Sharth, and Pamela Dunlap. (Photo by Ed Krieger)
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