“A Flea in Her Ear” by Georges Feydeau, at American Players Theatre in Spring Green, Wisc., through Oct. 7. Pictured: Tracy Michelle Arnold, Rebecca Hurd, and John Pribyl. (Photo by Liz Lauren)
“How I Learned What I Learned” by August Wilson, at Round House Theatre in Bethesda, Md., through July 2. Pictured: Eugene Lee. (Photo by Grace Toulotte)
“In the Heights” by Lin-Manuel Miranda and Quiara Alegría Hudes, at ZACH Theatre in Austin, through July 2. (Photo by Kirk Tuck)
“Loving and Loving” by Beto O’Byrne, presented by the Harold Clurman Lab Theatre and Radical Evolution Present at the Stella Adler Studio in New York City, through June 30. Pictured: Pete McElligott and Tia James. (Photo courtesy Stella Adler Studio of Acting/Kenneth Shook Photography)
“The Full Monty” by Terrence McNally and David Yazbek, at Penobscot Theatre Company in Bangor, Maine through July 9.
“The Gospel According to Thomas Jefferson, Charles Dickens and Count Leo Tolstoy: Discord” by Scott Carter, at Lantern Theater Company in Philadelphia through July 9. Pictured: Brian McCann, Gregory Isaac, and Andrew Criss.
“The Hound of the Baskervilles,” adapted by Steven Canny and John Nicholson from Sir Arthur Conan Doyle, at Pennsylvania Shakespeare Festival in Center Valley, Pa., through July 16.
“Welcome to Braggsville,” adapted by Josh Aaseng and Daemond Arrindell, at Book-It Repertory Theatre in Seattle, through July 7. (Photo by John Ulman)
“Wonderland: Alice’s Rock & Roll Adventure” by Rachel Rockwell and Michael Mahler, at Imagination Stage in Bethesda, Md., through Aug. 13. Pictured: Erin Weaver and Aaron Bliden. (Photo by Margot Schulman)
