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The national magazine for the American not-for-profit theatre
"The Rape of the Sabine Women, By Grace B. Matthias" by Michael Yates Crowley, at the Playwrights' Realm in New York City through Sept. 23. (Photo by Daniel J. Vasquez)
Rape culture, white supremacy, and Confederate legacies—theatres from Denver to Cleveland are not shying away from conversation.
By American Theatre Editors
“Appropriate” by Branden Jacobs-Jenkins, at Curious Theatre Company in Denver through Oct. 14. (Photo by Michael Ensminger)
“Bonnie & Clyde,” by Frank Wildhorn, Don Black, and Ivan Menchell, presented by Kokandy Productions at Theater Wit in Chicago through Oct. 15. Pictured: Max DeTogne, Desiree Gonzalez, Tia L. Pinson, and Jeff Pierpoint. (Photo by Evan Hanover)
“brownsville (b-side for tray)” by Kimber Lee, at Dobama Theatre in Cleveland through Sept. 24. (Photo by Steve Wagner Photography)
“Ghost the Musical,” by Bruce Joel Rubin, Dave Stewart, and Glen Ballard, at the Finger Lakes Musical Theatre Festival in Auburn, N.Y., through Sept. 16. Pictured, Adrian Baidoo, Derek Carley, and cast. (Photo by Ron Heerkens Jr.)
“Miller, Mississippi” by Boo Killebrew, at Dallas Theater Center through Oct. 1. Pictured: Liz Mikel, Dylan Godwin, Leah Karpel, and Alex Organ. (Photo by Karen Almond)
“Once,” by Enda Walsh, Glen Hansard, and Markéta Irglová, at South Coast Repertory Theatre in Cosa Mesa, Calif., through Sept. 30. Pictured: Amanda Leigh Jerry and Rustin Cole Sailors.
“The Flick” by Annie Baker, at Jobsite Theater in Tampa, Fla., through Sept. 24. Pictured: Georgia Mallory Guy and Brian Shea. (Photo by Pritchard Photography)
“The Rape of the Sabine Women, By Grace B. Matthias” by Michael Yates Crowley, at the Playwrights’ Realm in New York City through Sept. 23. (Photo by Daniel J. Vasquez)
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