The Subtext: Networking with Will Snider, Anna Moench, and Steve Yockey
The three playwrights discuss the importance of building and maintaining relationships in this industry.
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From AMERICAN THEATRE magazine, a podcast where playwrights talk to playwrights about the things usually left unsaid. In a conversation that dives into life’s muck, we learn what irks, agitates, motivates, inspires and—ultimately—what makes writers tick.
This feed is for the Subtext from 2018 onward. For episodes of the Subtext from 2015 to 2017, visit https://thisstage.la/category/the-subtext.
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The three playwrights discuss the importance of building and maintaining relationships in this industry.
Catching up with two playwrights at the National New Play Network showcase.
The playwright of ‘Somebody’s Daughter’ and ‘Surely Goodness and Mercy’ talks about how private school almost broke her and how August Wilson shaped her thinking.
The playwright of ‘Luna Gale’ and the new ‘Twilight Bowl’ discusses the perfect day job and that time she slept in Mary Rodgers’s apartment.
The award-winning playwright talks about early inspirations, breakthroughs, and how Naomi Iizuka pushed to write look inward to find her voice.
The playwright talks about growing up the border and his play ‘La Ruta,’ currently running at Steppenwolf Theatre.
The prolific playwright talks about his newest play ‘Rightlynd,’ his adopted hometown of Chicago, and how he handles rejection.
The great playwright and educator talks about her ambitions for her own work and for the art form she loves.
He’s written more than 300 two-minute plays, but the artistic director of Chicago’s Neo-Futurists doesn’t consider himself a playwright. Brian James Polak finds out why.
Brian James Polak interviews the playwright/professor about writing science-based plays and fostering the next generation of writers.