Miller and Hare in less than top form.
Reviews of London productions of ‘The Ride Down Mt. Morgan’ and ‘Murmuring Judges.’
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Reviews of London productions of ‘The Ride Down Mt. Morgan’ and ‘Murmuring Judges.’
Can you go ‘Homecoming’ again?
In play after play at this year’s festival, men fashioned the yokes and women looked for room to move.
In the New American Epics, drama busts out of the living room into the open spaces of our national history.
The persistence, contra the puritans, of Marlowe’s ‘Doctor Faustus.’
On the evidence of their current showing on Broadway, the R.S.C. has fallen from its ensemble ideals into mere spectacle and showmanship.
In Wilson’s gigantic vision of ‘CIVIL warS,’ the conflict extends from classes and races to species and sexes, and even beyond, to the cosmic.
The world’s oldest plays continue in our time to be staged, restaged, mulled over, written about. What accounts for their enduring fascination?
Jonathan Miller’s ‘Rigoletto’ taps the work’s Shakespearean roots, via a transplant to Little Italy.
Where does O’Neill stand today, some 30 years after his death? Evidently on a pedestal.