Stage works based on real material range so widely that about all they have in common is their makers’ aversion to labels.
Some of documentary theatre’s leaders discuss the art of the interview—and the deeply personal play-making that comes after.
Theatre ought to grow our moral imagination in a time of crisis. How do we get there—and who is ‘we’?
A struggle to define documentary theatre, and a hybrid rock/theatre event in Stumptown.