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This year, Bitter Lemons’ annual critic’s panel wasn’t a discussion of the state of L.A. theatre criticism so much as a defense of the website’s controversial pay-for-review policy.
This week, teacher/performer/author Kameron Steele stops by to talk about a new book of Suzuki’s writing, and the editors argue about the Tonys and Bitter Lemons’ pay-for-reviews gambit.
