A Neon Nostalgia Kaboom for the End of the World
In its ’80s IP retro rush, is Broadway’s 2025-26 season simply offering brand-name escapism—or finding a reflection of, and a response to, our current age of anxiety?
In its ’80s IP retro rush, is Broadway’s 2025-26 season simply offering brand-name escapism—or finding a reflection of, and a response to, our current age of anxiety?
The comic actor talks about his role in August Wilson’s ‘Joe Turner’s Come and Gone,’ director Michael Arden and designer Dane Laffrey talk vampire musicals, and Gemma Wilson gives us the Seattle 411.