"The House of Blue Leaves" by John Guare, at the Sandra Feinstein-Gamm Theatre in Pawtucket, R.I., through Apr. 5. Pictured: Karen Carpenter, Jeanine Kane and Tom Gleadow. (Photo by Peter Goldberg)
“Circle Mirror Transformation” by Annie Baker, at the Rep Stage in Columbia, Md., through Mar. 22. Pictured: Meg Kelly and Beth Hylton. (Photo by Katie Ellen Simmons Barth)
“The Clean House” by Sarah Ruhl, a production of California Repertory Company in the Royal Theater on the Queen Mary. Pictured: Mary Bonnell and Colleen McCandless.
“The Convert” by Danai Gurira, at Marin Theatre Company in Mill Valley, Calif., through Mar. 15. Pictured: L. Peter Callender, JaBen Early and Elizabeth Carter. (Photo by Kevin Berne)
“The Glass Menagerie” by Tennessee Williams, at Trinity Repertory Company in Providence, R.I. through Mar. 29. Pictured: Anne Scurria, Dennis Kozee, Brian McEleney and Mia Ellis.
“The House of Blue Leaves” by John Guare, at the Sandra Feinstein-Gamm Theatre in Pawtucket, R.I., through Apr. 5. Pictured: Karen Carpenter, Jeanine Kane and Tom Gleadow. (Photo by Peter Goldberg)
“The Hunchback of Notre Dame,” adapted by Peter Parnell, Alan Menken and Stephen Schwartz from the Victor Hugo novel, at the Paper Mill Playhouse in Millburn, N.J., through Apr. 4. Pictured: Michael Arden and company. (Photo by Kevin Berne from the La Jolla production)
“The Lake Effect” by Rajiv Joseph, at TheatreWorks Silicon Valley in Palo Alto, Calif, through Mar. 29. Pictured: Jason Bowen, Adam Poss and Nilanjana Bose. (Photo by Kevin Berne)
“Mr. Burns, a Post-Electric Play” by Anne Washburn, at American Conservatory Theater in San Francisco through Mar. 15. Pictured: Andrea Wollenberg. (Photo by Kevin Berne)
“Orlando” by Virginia Woolf, adapted by Sarah Ruhl, at the Jobsite Theatre in Tampa, Fla., through Mar. 29. Pictured: Katrina Stevenson. (Photo by Brian Smallheer)
“The Penelopiad” by Margaret Atwood, at PCPA-Pacific Conservatory Theater in Santa Maria, Calif. through Mar. 22. Pictured: Elizabeth Stuart and ensemble. (Photo by Luis Escobar/Reflections Photography Studio)
“Reverberation” by Matthew Lopez, at Hartford Stage Company in Hartford, Conn., through Mar. 15. Pictured: Carl Lundstedt and Luke Macfarlane. (Photo by T Charles Erickson)
“The Six Gentlepersons of Verona,” adapted by Benjamin Victor and John Phillip Kemble from the Shakespeare, a production of Bag&Baggage Productions at the Venetian Theatre in Hillsboro, Ore., through Mar. 22. Pictured: Cassie Greer and Clara Hillier.
“The Trial of Moses ‘Fleetwood’ Walker” by Ervin Gardner, at Black Ensemble Theatre in Chicago through Mar. 15. Pictured: Casey Hayes, Leslie Collins, Colin Reeves and Andre Teamer. (Photo by Teddy Nicholas)
“Unnecessary Farce” by Paul Slade Smith, at Act II Playhouse in Ambler, Penn., through Mar. 22. Pictured: Akeem Davis, Anthony Lawton, Gerri Smith Weagraff and Jake Blouch. (Photo by Mark Garvin)
“You’re a Good Man, Charlie Brown” by Clark Gesner, adapted from Charles M. Schulz, a Virginia Repertory Theatre production at Hanover Tavern in Richmond, Virg., through Apr. 19. Pictured: Durron Marquis Tyre and Aly Wepplo.
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