Can a Theatre Critic Be a Good Dad?
Priscilla Gilman’s memoir portrays her father, Richard Gilman, as a passionate, difficult figure who bequeathed her life lessons, many unwittingly.
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Priscilla Gilman’s memoir portrays her father, Richard Gilman, as a passionate, difficult figure who bequeathed her life lessons, many unwittingly.
Patti Hartigan’s excellent new biography gives us a rich portrait of the playwright’s life and art, and a measure of his significance.
On this episode we talk to playwright Mike Lew and director Moritz von Stuelpnagel about taking ‘tiny father’ from audio to audience and catch up with critic J. Wynn Rousuck about the Contemporary American Theater Festival.
August theatre history brings the heat of protest, rolling blackouts, the creation of two new companies, and the less-than-stellar U.S. premiere of a literary star.
The company’s current finance and HR director, she will succeed Joel Ruark after his 26 years in the executive role.
This month Woodzick talks to writer and educator Seayoung Yim about self-love, care-filled casting, and America’s recent obsession with Korean culture.
Working alongside Cynthia Flowers, they will succeed Sarah Benson and Meropi Peponides as co-directors, continuing the theatre’s shared leadership model.
The twelve-month residency, which begins in September, features monthly workshops and culminates in new play development readings produced by the Geffen.
This month Brian talks to MJ Kaufman, the co-writer of ‘A Transparent Musical,’ about their evolving sense of home, their creative instincts, and their dog, Milkshake.
The annual commission partners an emerging playwright, director, and Method-trained actors to develop an ensemble play.