‘The Wolves,’ ‘Dance Nation,’ and ‘School Girls,’ all by young female playwrights, show girlhood in all of its complexity and ferocity.
What do Polish and U.S. history have in common? Nancy Keystone’s beguiling new mash-up makes the connections.
At the 42nd Humana Festival of New American Plays, the Kilroys and Anne Bogart spoke, Lauren Gunderson got a prize, and a majority female-authored program commanded the stage.
What gives this 19th-century Norwegian’s plays their lasting power? ‘Power’ is the operative word.
Conor McPherson, handed Bob Dylan’s complete song catalogue, no strings attached, brings it all back home.
What I saw when I chose to focus on artists of color at Under the Radar, COIL, et al.
Thornton Wilder’s 80-year-old play offers something more than comforting nostalgia in a troubled American moment.
There may be as many kinds of writers about theatre as there are kinds of theatre. Here’s a handy guide.
New plays from Jez Butterworth, James Graham, and Lucy Kirkwood throw its characters and their values into sharp relief and thrilling conflict.
Theatre is reflecting our world back at us. But are we feeling it?