In ‘Abigail/1702,’ Roberto Aguirre-Sacasa finds a familiar ‘Crucible’ character in dire straits.
Tarell Alvin McCraney and Bijan Shebani’s adaptation of the tragedy is fast and festive.
Parisian romanticism meets ‘The Twilight Zone’ in Ken Page’s ‘Café Chanson.’
Howard Brenton’s play imagines Henry VIII’s ill-fated second wife as a major player in a religious struggle.
To create Enda Walsh’s pool setting for ‘Penelope,’ Undermain Theatre is setting up shop in new digs.
How Paul Watson’s war reporting inspired playwright Dan O’Brien’s haunted two-hander ‘The Body of an American.’
Sarah Cameron Sunde has become a specialist in the uncompromising vision of Norwegian master Jon Fosse. Her latest: ‘A Summer Day.’
Dan O’Neil unfurls an envirommental parable in ‘The Wind Farmer’ at Barter Theatre.
Aaron Posner’s new take on the Persian adventure ‘The Conference of the Birds.’
Kara Lee Corthron puts Grace Slick and ‘Alice in Wonderland’ onstage together in her play for New Georges, ‘AliceGraceAnon.’