For many small theatres, the leap to midsize, and from renting to owning, can be a make-or-break deal.
Is it better to plan or to improvise when attending Edinburgh’s outsized performance festival? Two correspondents answer: Yes.
He kept returning to his work with more to say and more ways to say it; we keep returning to his work because we can feel the love.
Gabrielle Reisman unearths up-to-the-minute issues—and some comic gold—in her time-hopping play about the Johnstown Flood.