Marissa Wolf Leaves Crowded Fire for New Post at Kansas City Rep
After six seasons at the helm, Wolf leaves the San Francisco-based company having doubled its budget and stepped up its new-play commitments.
Support American Theatre! A just and thriving theatre ecology begins with information for all. Make a fully tax-deductible donation today! Join TCG to ensure you get AT's return to print in your mailbox.
Dispatches from Iowa, Kansas, Minnesota, Missouri, Nebraska, North Dakota, and South Dakota.
After six seasons at the helm, Wolf leaves the San Francisco-based company having doubled its budget and stepped up its new-play commitments.
In a new installation/show in the Guthrie Theater’s Dowling Studio, artifacts of today become archeological curiosities.
From Orbiter 3 to the Workhaus Collective, companies have taken 13P’s playwright-focused production model and put their own spin on it.
Philip Boehm’s company debuts a new translation of Sophocles tragedy in a post-Ferguson St. Louis, and the resonances haven’t escaped him.
Playwright Joe Waechter’s new play about a troubled teenager and the icy continent of Antarctica, opens at Illusion Theatre in Minneapolis.
Led by Scott Miller, this small theatre revives mostly nontraditional musicals, giving new life to underrated shows and shining new light on contemporary classics.
How Kansas City Actors Theatre uses a collective ethos to keep its actors and audiences happy
Puppet theatre company uses festival as a platform for protest, awareness, and discussion.
Actor/writer/composer Nick Blaemire’s pop musical “A Little More Alive,” directed by Sheryl Kaller, runs at Kansas City Repertory Theatre
The new play by Dwayne Blackaller and Matthew Cameron Clark questions what it means to be human.