What does Sondheim’s newest heroine have to say about his body of work, and about women today?
Spoiler: The new bio-musical series isn’t just great TV, it also makes a case for more inclusive storytelling.
Now under new leadership, the 14th iteration of this developmental festival again offered room, time, and shared energy to a crop of writers.
In a Roundabout revival of the nearly 40-year-old play, it holds up as a withering portrait of the myths and traps of American masculinity.
It wasn’t quite the season of our discontent, but this year’s January festivals felt a bit less binge-able than usual, despite the high points.
New York’s annual experimental theatre sampler boasts plenty of chills and frills, but the real attraction is carefully crafted mayhem.
To honor the million-plus Black Africans who died in World War I, the South African artist uses opera, theatre, dance, video, and a dose of Dada.
You can’t just dip into the best, most compulsively readable book ever written about the art and sweat of making theatre (though you may skip a few parts).
By flipping a few genders, Marianne Elliott’s new London revival turns Sondheim and Furth’s classic into a meditation on modern relationships.
In her boundary-breaking, civically engaged play, Heidi Schreck shows that a woman telling her story is a political, and powerful, act