Clocking the missed opportunities, missteps, and outright transphobic tropes in 3 currently running musicals.
Classic Stage Company’s understated new production shows how Sondheim and Weidman’s triggering musical can play in an age of mass shootings and the Capitol insurrection.
The city’s theatres are stumbling back to their feet, with mixed results and a seemingly cavalier attitude toward COVID.
The proliferation of plays by Black creators on the Great White Way is cause for celebration, even as it raises some familiar questions about risk and representation.
The creator of ‘In & Of Itself’ and new memoir, ‘Amoralman,’ has made a career of artful deception in the pursuit of a kind of theatrical truth.
Can a culturally appropriative murder mystery in the guise of a cooking class prevent war with Iran? Piehole’s interactive new Zoom play aims to find out.
Though American Realness and COIL are sorely missed, there was much international work to take in at this year’s Under the Radar and Exponential fests.
Anne Teresa De Keersmaeker’s pared-down choreography may depart from Jerome Robbins’s original steps, but is it telling the same story?
The problem with young adult shows on Broadway isn’t that they focus on teens—it’s which teens they focus on.
Two high-profile, celebrity-laden versions of the campy musical are playing on opposite coasts. Which one is better? It depends if you prefer innovation or nostalgia.