You Can Make It Anywhere
Well, maybe not anywhere—but here are 6 cities where theatre workers can thrive outside NYC, L.A., or Chicago.
Theatre isn’t just a human-scaled art—it’s live-human-dependent, on both sides of the aisle, and irreducibly so. Even as a certain amount of stage technology has been automated, there will never be a theatrical substitute for live people to enact, operate, and attend it. This is theatre’s unique communitarian glory, but it can also be its Achilles heel, as its stubborn humanness means it is not only subject to the countless “natural shocks” that flesh is heir to (age, injury, error, anxiety) but susceptible to our race’s broader social failings—competition, invidious comparison, exploitation, and worse. In this issue we shine a light on some of those who toil in theatre’s trenches and make the best of its indignities, inequities, and serendipities. From jobbing actors to front-of-house staff, these are some of the folks who make the show go on, often against steep odds. And attention must be paid.
#Special Section
Well, maybe not anywhere—but here are 6 cities where theatre workers can thrive outside NYC, L.A., or Chicago.
Injuries are part of the gig, but performers shouldn’t be expected to give till it literally hurts.
Been injured on the job? Here’s a partial list of service organizations, health care specialists, and legal services.
Juggling a theatre career and a day job shouldn’t be a playwright’s shame, it should be claimed as a superpower. Here are some tips for how to balance both, and how it can improve your art.
For house managers and theatre services directors, the work is invisible but rewarding.
You can get your financial house in order, even in the face of debt and fluctuating income. (The alternative: greater debt and uncertainty.)