Box office isn’t the main revenue source for most nonprofit theatres, nor is pricing the biggest barrier for most patrons—but both sides of this exchange could benefit from more transparency.
The writer-director, who now helms Florida Studio Theatre’s Recovery Project, is taking a multi-pronged approach to fighting the stigma of addiction with theatre.
A season director and educator with Broadway and regional credits, he comes to ATC from Utah Valley University.
After 3 years as artistic director at Arizona Theatre Company, Daniels will lead new-play development at the Sarasota theatre, particularly of work dealing with addiction and recovery.
How a small theatre in Phoenix, now embarking on an all-BIPOC season, is challenging its local colleagues to do better.
The slate includes a new musical about Ruth Bader Ginsburg and a co-production with Rattlestick of a play by christopher oscar peña.
From development directors to arts consultants, this edition’s focus is on folks who help generate the support for the making of theatre.
Theatre companies across the country and in Mexico City will participate in RomeroFest.
This week’s virtual offerings will take you places, from the worlds of hip-hop and RPG games to the circus.
Seven plays about gun violence will premiere on Broadway on Demand on the anniversary of the Sandy Hook massacre.