Leadership Changes at Long Wharf, St. Louis Shakes, and More
Visionary artistic directors’ departures, new execs at summer play festivals, and other comings and goings at the top of U.S. theatre institutions.
Visionary artistic directors’ departures, new execs at summer play festivals, and other comings and goings at the top of U.S. theatre institutions.
You’ve seen heist movies, but what about a heist play? A U.S. premiere at Arizona Theatre Company turns the challenge into an advantage.
The theatre was stabilizing after a rough decade, and then Covid hit, offering fresh challenges and opportunities, including a move to a new venue.
Box office isn’t the main revenue source for most nonprofit theatres, nor is pricing the biggest barrier for most patrons—but both sides of this exchange could benefit from more transparency.
The writer-director, who now helms Florida Studio Theatre’s Recovery Project, is taking a multi-pronged approach to fighting the stigma of addiction with theatre.
A season director and educator with Broadway and regional credits, he comes to ATC from Utah Valley University.
After 3 years as artistic director at Arizona Theatre Company, Daniels will lead new-play development at the Sarasota theatre, particularly of work dealing with addiction and recovery.
How a small theatre in Phoenix, now embarking on an all-BIPOC season, is challenging its local colleagues to do better.
The slate includes a new musical about Ruth Bader Ginsburg and a co-production with Rattlestick of a play by christopher oscar peña.
From development directors to arts consultants, this edition’s focus is on folks who help generate the support for the making of theatre.