How ‘Buena Vista Social Club’ Expands the Language of the Musical
A Broadway show about the making of a historic record in Cuba doesn’t sacrifice the authenticity of its deep cultural context—or its original language.
A Broadway show about the making of a historic record in Cuba doesn’t sacrifice the authenticity of its deep cultural context—or its original language.
Orchestrator Doug Besterman (‘Death Becomes Her,’ ‘Boop!,’ ‘Smash’) and music director/arranger Marco Paguia (‘Buena Vista Social Club’) compare notes.