Co-lead theatre critics at New York magazine/Vulture, they make the case that 2 heads are better than 1, especially covering a field in flux.
Why is this groundbreaking Broadway musical closing so soon? The tale of its creation, evolution, marketing, and critical reception offers plenty of clues—and some glimmers of hope.
Composer Mary Rodgers’s unsparing new memoir, equal parts hilarious and harrowing, tells of an eventful life in which musical theatre wasn’t the only source of drama.
For the final podcast of the year, the editors plumb the year-end thoughts and feelings of critics from the New York Times and the San Francisco Chronicle.
On this week’s podcast David J. Loehr reports back from the Humana Festival. Plus, the editors discuss ‘Miss Saigon’ and AT’s new program to nurture theatre critics of color.
Why did The New York Times hire another white guy to be their new co-chief theatre critic? He plans to work hard to show us why.