Pattern Recognition, Reconstructed: The Unlikely Return of Fornés’s ‘Evelyn Brown’
A new revival at La MaMa of the playwright’s opaque verbatim play from 1980 gives a fresh window into her unique formal and thematic ambitions.
All Stories About María Irene Fornés
This Month in Theatre History
From Edwin Booth’s Richard III to the Federal Dance Project, from ‘Fefu and Her Friends’ to Odd Fellows Hall, this month featured some remarkable characters.
