Whether directing, writing, or irreverently adapting, the D.C.-based artist isn’t afraid of bringing himself to all his work.
How a dramaturg and a managing director complement each other in work and life.
Both Motti Lerner’s ‘After the War’ and David Grossman’s ‘Falling Out of Time’ engage with loss, but in wildly different ways.
Artistic director Adam Immerwahr’s inaugural season will feature classic plays and new dramas.
The former associate A.D. from New Jersey’s McCarter Theatre succeeds an embattled leader at D.C.’s flagship Jewish theatre.
The Jewish theatre’s season will feature plays focusing on identity, with world premieres by Caleen Sinnette Jennings and Derek Goldman.
The backstage drama between D.C.’s influential Jewish theatre and its former artistic director Ari Roth has been as riveting, and as disputed, as anything on its stage.
As the leader of D.C.’s Jewish theatre, Ari Roth works to keep the dialogue going, even—or especially—when it’s contentious.
The longtime artistic director has been let go from Theater J, due to programming conflicts between the theatre and the DC Jewish Community Center.
Natsu Onoda Power, Luciana Stecconi, and Jared Mezzocchi talk about designing David Henry Hwang’s “Yellow Face” at Theater J in Washington D.C.