Everything in Moderation: Rethinking the Talkback
Post-show engagement might take many forms, so why are we stuck with a one-size-fits-all Q&A format?
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Post-show engagement might take many forms, so why are we stuck with a one-size-fits-all Q&A format?
Clocking the missed opportunities, missteps, and outright transphobic tropes in 3 currently running musicals.
New memoirs of 2 artists associated with London’s Royal Court Theatre portray divergent quests to make work for themselves and for others.
The songwriter talks about adapting his beloved Muppet musical for the stage, about never growing up, and about the things you can learn from an audience.
For the critics’ final episode, they consider the life and legacy of Sondheim and reflect on how theatre has grown and changed in the 4 years they’ve been podcasting.
The playwright reflects on her oft-produced take on the Greek myth about loss, and suggests both practical and philosophical approaches for future interpreters.
Classic Stage Company’s understated new production shows how Sondheim and Weidman’s triggering musical can play in an age of mass shootings and the Capitol insurrection.
For theatre helmers Bartlett Sher and Mary Zimmerman, who both have shows in the new Met season, the music is the leader they follow.
The city’s theatres are stumbling back to their feet, with mixed results and a seemingly cavalier attitude toward COVID.
He was like a father to many of us, so it shouldn’t be surprising that he did what a good father does: He kept showing up, and showing his love.