Three on the Aisle: Cell Phones and ‘Slave Play’
The critics discuss locking up cell phones in Yondr pouches and heatedly debate ‘Slave Play.’
Three on the Aisle
Three on the Aisle is a podcast from New York about theatre in America, featuring drama critics Peter Marks, Terry Teachout, and Elisabeth Vincentelli. It is produced by Kirby Pate.
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Follow Three on the Aisle on Twitter. Contact the critics at threeontheaisle@gmail.com.
Three on the Aisle: Top 10 Trends?
Looking at the theatre’s most-produced lists for clues to changing (or lasting) tastes, and a dip into the readers’ mailbag.
Three on the Aisle: How (Not) to Turn a Play Into a Movie
On this back-to-the-season edition, Terry Teachout and Peter Marks talk about shows they’ve seen and answer questions from their mailbag.
Three on the Aisle: An August Recess
The show will be back in September. In the meantime, keep sending your comments and questions.
Three on the Aisle: The Critics Go to Summer Camp
Regina Castellanos and Larry Owens (‘A Strange Loop’) stop by the studio to talk about their time at the theatrical summer camp, Stagedoor Manor.
Three on the Aisle: Not Good, but Kind of Great
This week the critics talk ‘guilty pleasures,’ answer listeners’ questions, and talk about ‘Last Summer at Bluefish Cove, ‘A Strange Loop,’ and ‘The Waverly Gallery.’
Three on the Aisle: David Cromer Can’t Quit Chicago
The Tony-winning director visits the critics and breaks down his artistic process on ‘The Waverly Gallery’ and ‘The Band’s Visit,’ and explains his love affair with the Windy City.
Three on the Aisle: If We Ran the Tonys…..
The critics give their unofficial annual best production and performance awards—and Off-Broadway and regional productions are fair game.
Three on the Aisle: David Yazbek Loves ‘Shaft’
This week the critics talk with the Tony-winning composer about his newest project: the gender-bending ‘Tootsie.’
Three on the Aisle: Nobody Is Ever Pleased With the Tony Nominations
The critics discuss the surprises and snubs of the Tony nominations, plus how to present problematic classics.