Three on the Aisle: Move On
For the critics’ final episode, they consider the life and legacy of Sondheim and reflect on how theatre has grown and changed in the 4 years they’ve been podcasting.
Category Archives: Three on the Aisle
Three on the Aisle is a podcast from New York about theatre in America, featuring drama critics Peter Marks, Terry Teachout, and Elisabeth Vincentelli.
Subscribe via RSS feed, iTunes, Google Play, Stitcher, or TuneIn.
Follow Three on the Aisle on Twitter. Contact the critics at threeontheaisle@gmail.com.
Three on the Aisle: Patrick Page Goes Deep
This month the critics talk to the star of ‘Hadestown’ about darkness and empathy, and share their theatregoing highlights.
Three on the Aisle: Sunday in the Park With James
This week the critics speak to James Lapine about his new memoir of writing ‘Sunday in the Park With George’ with Sondheim, and talk up some shows they’ve seen.
Three on the Aisle: Cockeyed Optimists Edition
The critics happily return to talking about actual live, in-person theatre, as well as the vagaries of variants and vaccination policies.
Three on the Aisle: We’re Still Here
After a hiatus, the critics return with a look back at a tumultuous year and a look ahead to reopening on Broadway and beyond.
Three on the Aisle: Letters From Lockdown
The critics look back on a year without live, in-person theatre as they go through their mailbag.
Three on the Aisle: Cataclysm Criticism With Soraya Nadia McDonald
This month the hosts talk to an award-winning colleague about gatekeeping and pandemic-era criticism.
Three on the Aisle: The Pandemic Process With Samira Wiley & Kate Hamill
This week the critics talk to two theatre artists about the choices they’ve made and the field they hope to return to.
Three on the Aisle: Dungeons and Democrats
Should the government create an arts and culture ministry? And what happens when there’ s no one to laugh along with?
Three on the Aisle: Digital Tourism and the Snowball Effect
On this month’s episode the critics discuss the recent Tony noms (and the controversy around them), their varied digital theatre diets, and some theatres’ plans to tentatively reopen.
