Bill Rauch’s Oregon Trail, and Mine
Why I’ve avidly watched the work of Cornerstone’s founding artistic director and of Oregon Shakes, both separately and together.
Why I’ve avidly watched the work of Cornerstone’s founding artistic director and of Oregon Shakes, both separately and together.
The former administrator for Tectonic Theater Projects and Classic Stage Company will manage both theatre and musical theatre grants for the endowment.
The difference between arts professionals and the rest of us isn’t about money but about dedication.
Why do we spell it ‘theatre’? As with many questions of language, there’s a simple answer but not a ‘right’ one.
From obscure classics to populist musicals and thrillers, Hartford Stage artistic director Darko Tresnjak is in the midst of a killer career.
It is theatre’s blessing and curse that it shares space with all of humanity—even humans with cell phones.
The playwright of ‘Ruined’ and ‘Intimate Apparel’ talks about her new play, inspired by America’s ‘de-industrial revolution’ and bowing this month at Oregon Shakespeare Festival.
Reporting for duty to the field I’ve had my eye on for decades.
She comes from a large family of theatremakers. Is it any wonder she makes family, and theatre, everywhere she goes, from Cultural Odyssey to the California’s prisons?
As the impact of their first list is still being felt, the group announces a new list that reflects steps to increase the diversity of voices.