Three on the Aisle: If We Ran the Tonys…..
The critics give their unofficial annual best production and performance awards—and Off-Broadway and regional productions are fair game.
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This podcast from Diep Tran and Jose Solís (discontinued in June 2020; new independent site here) brought a person-of-color perspective to reviews of and interviews with theatre artists in New York City.
The critics give their unofficial annual best production and performance awards—and Off-Broadway and regional productions are fair game.
This week the critics talk with the Tony-winning composer about his newest project: the gender-bending ‘Tootsie.’
Catching up with two playwrights at the National New Play Network showcase.
The critics discuss the surprises and snubs of the Tony nominations, plus how to present problematic classics.
The critics are divided over 2 of the most buzzed-about musicals of the season, ‘Hadestown’ and ‘Oklahoma!’ What does it mean to hate something that everyone else loves? Also: What’s the difference between bad acting and miscasting?
This week, the critics discuss Glenda Jackson in ‘King Lear’ and perform a postmortem on ‘The Band’s Visit.’
The Tony-winning actor talks about finally getting to play Eliza Doolittle. Plus discussions of ‘White Noise,’ ‘Nantucket Sleigh Ride,’ and ‘JQA.’
A lively conversation with playwright Lucas Hnath, director Leigh Silverman, playwright/director Robert O’Hara, and new-play producer Alexis Williams.
The playwright of ‘Somebody’s Daughter’ and ‘Surely Goodness and Mercy’ talks about how private school almost broke her and how August Wilson shaped her thinking.
The critics are back with a discussion of the ‘To Kill a Mockingbird’ controversy and a look at a day (and night) in the life of a theatre critic.