The History Play That Got Away
Oregon Shakes’s history-play commissioning project may not have funded the founding fathers hip-hop musical everyone’s talking about, but their slate so far is pretty revolutionary anyway.
Oregon Shakes’s history-play commissioning project may not have funded the founding fathers hip-hop musical everyone’s talking about, but their slate so far is pretty revolutionary anyway.
Who knew that grammar was a front in the battle for fuller gender expression? Well, duh.
The native language of theatre is artifice, but as Annie Baker’s ‘John’ proves, it doesn’t always feel that way.
The American musical is in fine shape, both its brand-new and revival corps. This wasn’t always the case.
Why I’ve avidly watched the work of Cornerstone’s founding artistic director and of Oregon Shakes, both separately and together.
The difference between arts professionals and the rest of us isn’t about money but about dedication.
Why do we spell it ‘theatre’? As with many questions of language, there’s a simple answer but not a ‘right’ one.
It is theatre’s blessing and curse that it shares space with all of humanity—even humans with cell phones.
Reporting for duty to the field I’ve had my eye on for decades.