Upstream Theatre's 'Antigone' Neither Avoids nor Exploits #Ferguson Echoes
Philip Boehm’s company debuts a new translation of Sophocles tragedy in a post-Ferguson St. Louis, and the resonances haven’t escaped him.
Dispatches from Iowa, Kansas, Minnesota, Missouri, Nebraska, North Dakota, and South Dakota.
Philip Boehm’s company debuts a new translation of Sophocles tragedy in a post-Ferguson St. Louis, and the resonances haven’t escaped him.
Playwright Joe Waechter’s new play about a troubled teenager and the icy continent of Antarctica, opens at Illusion Theatre in Minneapolis.
Led by Scott Miller, this small theatre revives mostly nontraditional musicals, giving new life to underrated shows and shining new light on contemporary classics.
How Kansas City Actors Theatre uses a collective ethos to keep its actors and audiences happy
Puppet theatre company uses festival as a platform for protest, awareness, and discussion.
Actor/writer/composer Nick Blaemire’s pop musical “A Little More Alive,” directed by Sheryl Kaller, runs at Kansas City Repertory Theatre
The new play by Dwayne Blackaller and Matthew Cameron Clark questions what it means to be human.
Designers for a play told from a pigeon’s point of view give details of the set development.
The recently retired director of the O’Neill Critics Institute reflects on his time in Minneapolis at the Guthrie’s beginning.
Daniel Beaty and Moisés Kaufman join forces to bring the legendary actor/singer/activist to vivid life in ‘The Tallest Tree in the Forest.’