Steinberg Awards, CAATA Godfather Prize, BASE + RADAR Residency
A roundup of prizes, fellowships, and other recognitions.
Woolly Mammoth Expands Connectivity With Howard University and SMYAL
By adding new members to its Core Partner Program, the D.C.-based theatre seeks to deepen its investment in local communities.
Soho Rep Announces Ambitious 3-Play Hunger Cycle
With support from the Civis Foundation, 3 world premieres across 3 seasons include a César Alvarez musical, a Native epic by Madeline Easley, and a site-specific immersive folk tale.
Operationalizing the Art of Care: Lessons From Sundance
The final festival in Park City showed off some interesting film products, but my biggest takeaways were from conversations about intentionality and care in the art-making process.
A Curtain Call for the Life and Legacy of Othell J. Miller
A colleague and mentee recalls a tireless advocate and encourager who wasn’t content to make art himself—he also felt called to nurture it in others.
What Will D.C. Theatres Do Without a Full-Time Critic at the Post?
WaPo’s last theatre critic, Naveen Kumar, and Washington, D.C.-area theatres reflect on the paper’s recent layoffs and what they mean for the arts ecosystem in one of the nation’s largest cities.
Letters to the Editor: Editorializing About Palestine, Praise for Lois Smith
Readers weigh in on a few recent articles.
Bernard Weiner: San Francisco Theatre’s Chronicler
A colleague remembers the San Francisco Chronicle theatre critic of the 1970s and ’80s, who died on Feb. 15 at the age of 86.
Bodily Fluids, Heartsick Lyrics, and a Viral Musical
This month: Alia Shawkat on Clare Barron’s ‘You Got Older,’ Robert Kaplow on his Oscar-nominated screenplay for ‘Blue Moon,’ and Joriah Kwamé on his TikTok-hit-turned-musical, ‘Little Miss Perfect.’
This Month in Theatre History
Our March edition highlights new-play milestones from 1916 through 2016.
