New Mexico’s Theatre Scene Has More Than You Think
New Mexico struggles to make its mark in theatre with more and more companies coming to the fore.
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New Mexico struggles to make its mark in theatre with more and more companies coming to the fore.
The journalist-turned-playwright explores the historic accords in a new play at Arena Stage.
Seattle’s Book-It Repertory Theatre, led by Jane Jones and Myra Platt, has gone from adapting classic Western literature to local contemporary literature, drawing more and more local authors into theatre.
How Eric Coble’s journey from his first theatre experience led him to Broadway with “The Velocity of Autumn,” starring Estelle Parsons and directed by Molly Smith.
Natsu Onoda Power, Luciana Stecconi, and Jared Mezzocchi talk about designing David Henry Hwang’s “Yellow Face” at Theater J in Washington D.C.
An obituary for Philip Seymore Hoffman by playwright David Bar Katz.
A tribute to Patrice Chéreau by director Pedro Salazar.
Those who stepped down from an old position or stepped up to a new one in April.
The awards and prizes that have been given out since our last issue.
Premiering at the Wexner Center for the Arts in Columbus, Ohio, Young Jean Lee’s “Straight White Men” is a response to privilege and a call for change.