Nothing But Time: When ‘Godot’ Came to San Quentin
How the Actor’s Workshop’s storied 1957 performance set the stage for collaborations between correctional facilities and U.S. theatres.
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How the Actor’s Workshop’s storied 1957 performance set the stage for collaborations between correctional facilities and U.S. theatres.
The nonagenarian actor explains how his willingness to answer a phone and his inability to drive led him to some happy accidents.
How she turned the constraints of Beckett’s buried-alive heroine Winnie into expressive assets.
In a brief but spirited correspondence with producer Norman Lear, the playwright weighed an original comedy about clerks in a dead-letter office.
What a mystery it is that these tiny and ever-shrinking dramacules—these death rattles—can bring so much life to the theatre.
Also: New books by and about Beckett.