Dramática: No Place Like You
The first installment of a new column explores how theatre artists in D.C. and Chicago interpret being called ‘too dramatic,’ and what home or belonging means in their art.
The first installment of a new column explores how theatre artists in D.C. and Chicago interpret being called ‘too dramatic,’ and what home or belonging means in their art.
A brief introduction to the Fornés playwriting method, with a condensed exercise adapted by Migdalia Cruz from María Irene Fornés’s original lab at INTAR.