In his latest play, published in full in our Fall print edition, the writer/performer probes implicit ableism and the assumptions we make about people we’ll never really know.
A hard-copy magazine about this ephemeral art form can mark its progress over time like no other medium.
The theatre field is white-dominated, and disabled and D/deaf companies would seem to be no exception—unless we look deeper and think more intersectionally.
Now 30 years old, the Americans with Disabilities Act has made historic access achievements for audiences. Now how about access for performers and backstage workers?