The Feast: an intimate Tempest
A look at a recent production at Chicago Shakespeare Theater, in association the Redmoon Theater.
A look at a recent production at Chicago Shakespeare Theater, in association the Redmoon Theater.
After 400-plus years, the approximate, half-understanding fog through which we hear much of the Bard’s language won’t do anymore.
Who was Shakespeare, anyhow? Do even the experts really know? And why should anybody care?
Four tomes from the Shakespearean assembly line plumb the mind behind the man.
A Shakespeare scholar shows how the world makes claims on the Bard.
Why ‘The Merchant of Venice’ and ‘The Taming of the Shrew’ should remain open to interpretation.
Jan Kott writes about the exchange between life and drama so artfully that it sometimes appears that history and literature have performed his critical tasks for him.
A.L. Rowse cannot ruin the unique grace and style of Shakespeare’s language; but he taints it more than a little.