Love, Light, Joy, Legend: The Unparalleled Tina Packer
A former student and colleague remembers Shakespeare & Co.’s founder as a mind-blowing, career-shaping teacher, leader, and model.
A former student and colleague remembers Shakespeare & Co.’s founder as a mind-blowing, career-shaping teacher, leader, and model.
Karin Coonrod explains why ‘King Lear’ is apocalyptic but not bleak, and a new staging of an iconic film returns it to its theatrical roots.
Director Barry Edelstein may have squeezed 3 Shakespeare history plays into 2 parts for this program, but nothing about this canon-completing repertory extravaganza is small-scale.
An intrepid, in-demand force in the American theatre, this writer-director is finding more to say through Shakespeare’s only recurring female character, Queen Margaret.
The flagship theatre memorably mounted Shakespeare’s popular history plays in 1990, and now they’re back for another repertory rotation.
After 37 years at the helm of Chicago Shakespeare Theater, Gaines has found the right time to step away from the company she founded.
Known for her lively, no-gimmick stagings of Shakespeare with Theatre for a New Audience, the director is branching out with ‘Des Moines.’
Joined for the Rolex Arts Mentorship program, these 2 directors have a lot of common interests: interrogating Shakespeare, staging music, and welcoming new audiences.
From the Public Works ‘As You Like It’ to upstart crow’s ‘King John’ at Oregon Shakes to ‘Mother Lear’ at Brooklyn Botanic Garden, the Bard remains powerful currency; it’s how it’s spent that matters.
The actor talks about his voice and craft, his approach to an iconic role, and where the storm ends and the madness begins.