Dramática: No Place Like You
The first installment of a new column explores how theatre artists in D.C. and Chicago interpret being called ‘too dramatic,’ and what home or belonging means in their art.
The first installment of a new column explores how theatre artists in D.C. and Chicago interpret being called ‘too dramatic,’ and what home or belonging means in their art.
October saw Congress vote against theatre, Frederick Douglass inveighing against minstrelsy, a ‘Shuffle Along’ sequel, a gravity-defying musical, and the passing of a genre-defining playwright.