For this year’s preview of U.S. theatre’s offerings, we look at the how and why as much as the what.
Our magazine doesn’t include the Bard on its annual most-produced lists, but this year he snuck his way to the top anyway.
For all its heightened relevance and accountability, documentary theatre can’t be constrained by its subject.
You can tell where theatre happens from its name.
If you can gauge a nation’s health by its theatre, China looks vital, youthful—and ambivalent.
Arts journalism is fighting for its life, but it’s well past time to invite new voices to join the fray.
Where would Broadway be without the nation’s nonprofit theatres? It’s impossible to say, so intertwined are their fortunes.
War may feel like an abstraction to many of us, but the theatre can give its realities flesh and blood.
Nonprofit theatre may be driven primarily by mission, not the market, but that’s no excuse for inequity.
The nonprofit theatre’s mandate to serve as a town hall, a sort of secular church for the democratic spirit, has seldom been more salient.