Editor’s Note for July/August 2012
We mark the debut of a digital version with an issue ranging from Orange to Moscow, from O’Neill to stage designs.
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We mark the debut of a digital version with an issue ranging from Orange to Moscow, from O’Neill to stage designs.
Bullying, Canada, the next generation, Chekhov, and a hardbody.
This month the editors explore a vibrant, multilingual scene just across the border.
Editor-in-chief Jim O’Quinn outlines the contents of this January’s annual special section on theatrical training.
Orwell everywhere, also season listings.
According to contributing editors Arthur Ballet, Marjorie Bradley Kellogg, Michael Feingold, Richard Gilman, and John Houseman.
Welcome to our inaugural issue, featuring a deep dive on playwright Sam Shepard.