A healthy economy may be one pretext for renewed fundraising appeals—but then again, so could an unpredictable new tax regime.
This month: training for directors, IP for non-writers, the state of queer theatre, diversiyfing theatre training, and West African stages.
We know too well the laments about shrinking critical jobs and authority. But are we looking for the future in all the wrong places?
Our magazine doesn’t include the Bard on its annual most-produced lists, but this year he snuck his way to the top anyway.
You can tell where theatre happens from its name.
Where would Broadway be without the nation’s nonprofit theatres? It’s impossible to say, so intertwined are their fortunes.
War may feel like an abstraction to many of us, but the theatre can give its realities flesh and blood.
Nonprofit theatre may be driven primarily by mission, not the market, but that’s no excuse for inequity.
The nonprofit theatre’s mandate to serve as a town hall, a sort of secular church for the democratic spirit, has seldom been more salient.
Multiplicity defines our past and our future, and nowhere is this more true than in the Latinx theatre movement in the U.S.