A dispatch from this year’s record-breaking festival, where 3,000 shows competed for theatregoers’ attention.
Children’s Theatre Company took a signature work to the gathering in South Africa.
A week at Moscow’s Golden Mask Festival shows that theatre is popular in Russia—but with popularity comes scrutiny.
A Tunisian/Canadian coproduction urgently stages the mass-migration crisis afflicting the Middle East and North Africa.
Dutch artists like Ivo van Hove and Wunderbaum only became mainstream forces after an audience revolt. Will the tide ever take a similar turn in the U.S.?
This year’s multifaceted arts fest offered a breathtaking global menu, but no dishes were more bracing than the latest moves in dance.
The troupe, which grew from modest origins into one of Canada’s essential theatres, takes Manhattan.
If you can gauge a nation’s health by its theatre, China looks vital, youthful—and ambivalent.
Most stage works don’t attract mass audiences or enjoy long runs—but there can be strength in the shadows.
Japan and Korea have embraced and nurtured Western-style musicals. Can China be far behind?