This weekend, I went to the Brooklyn Academy of Music to celebrate the launch of best-selling author Suleika Jaouad’s latest book, The Book of Alchemy: A Creative Practice for an Inspired Life. Jaouad, who is in remission from leukemia for the third time, writes so beautifully about her experience. She’s a master at harnessing creativity as a coping mechanism. This book is partly a memoir and includes writing prompts and short essays from more than 100 contributors, from Gloria Steinem to Sarah Ruhl.
Jaouad’s husband, Grammy Award winner Jon Batiste, co-hosted the event and buoyed the audience with songs on the melodica, piano, and even a sing-along between readings. The pair met at band camp as pre-teens and spoke movingly about the resilience that comes from creating freely as kids, without fear of judgment or rejection. The Book of Alchemy is a guideline of sorts for harnessing that unbridled creativity, and I look forward to diving in.
Speaking of that hard-to-bottle creative energy of kids, I recently spoke with the co-founders of The Prep, a professional performance studio with locations in New York and New Jersey that’s now expanding to California. The studio serves more than 1,500 students of all ages, both in person and virtually, with on-camera technique classes, audition workshops, musical intensives, and more.
“I really love working with kids from 7 to 13. They’re so moldable, like sponges—still so curious and open,” said co-founder Jessi Clayton. “There’s such an honest way of learning and taking in information. It’s so special and beautiful. Being able to help an 8- or 9-year-old tell a complex story and share something really beautiful feels so special to me.”
Co-founder Theresa Pittius points to crossover classes, where advanced kids join adult classes as guest artists, as some of her favorites. “It’s nice for the adults to remember what it was like to be playful and fun and use their imagination and let loose, and it’s good for the kids to see the adults and their professionalism.”
Added Pittuis, “We’re training this little army of rock stars—turning them into professionals, teaching them on-set etiquette and professionalism, while also playing with the imagination and keeping it really unique and alive for these little kids. Imagination is everything.”
Check out The Prep’s offerings, including a virtual workshop on May 7 focused on self-care and mental wellness for creatives of all ages.
Also, take a look at this piece in American Theatre about how students at California’s Altadena Arts and Eliot Arts magnet schools performed at Center Theatre Group after their school production was halted by the wildfires. An incredible example of creativity as healing.
✏️Around the Web✏️
• Children’s Theatre Company in Minneapolis has named Ryan French as its managing director.
• Dallas Children’s Theater has named Emily Ernst as its next artistic director.
• A moving preview of Soft Target, a new play by an educator about the effect of gun violence on a young student.
• Interesting piece on how Alabama’s HB 67 may affect high school and college theatre productions.
• Love this article on the mainstage productions that will be featured at this year’s International Thespian Festival.
• Great interview with actor Daniel Breaker in which he talks about his training, mentors, and memorable roles.
• The Syracuse community remembers Meredith Mancini, founder of the Magic Circle Children’s Theatre.
• Thanks to a grant, a Virginia school put on its first musical, Willy Wonka Kids.
• Applications are now open for the American Theatre Wing’s University Scholarships, available to high school seniors from populations historically underrepresented in the theatre industry.
💫 On Social Media 💫
Teachers, what’s your spring production this year, and why did you choose it?
AT Readers Respond:
Laura Huizenga
We did Hadestown: Teen Edition, and I cannot recommend it highly enough. It was a fabulous show, and my kids did a fabulous job. I also can’t overstate how stunning it was to have a live band on stage.
Tabitha Myers
Our Town—wanted something classic and meaningful that would be different from the other shows in our seasons recently. My students and community loved it.
Ryan Briggs
Puffs. Because I had a special group of 6th graders a few years ago that I knew would grow into these roles.
Rod Hearn
The Prom: School Edition, because its hilarious and on-the-nose messaging is what we need right now.
Caroline Needham
Our high school did Honk!, the musical. We chose it because it’s a darling, kid-friendly show that tells a beautiful story about celebrating our differences and recognizing our inner beauty.
Katie Davis
The Curious Savage by John Patrick. We needed a kinder, gentler play—but also something timely without being heavyhanded. The script is surprisingly relevant.
Rita Stone Berridge
Kia ora from New Zealand! We don’t have spring shows Down Under, but we have an annual school musical. I chose Little Shop because I had six brilliant female singers expand the Ronettes to six, plus two brilliant females playing Audrey 2 (the plant) and Mrs. Mushnik. Somehow I’ve got a cast of 60 kids in the ensemble too!
Read more great responses here.
📰From the Archives📰

This 2024 book excerpt of Theatre Kids by John DeVore explains what it means to be young and bitten by the acting bug.
Support American Theatre: a just and thriving theatre ecology begins with information for all. Please join us in this mission by joining TCG, which entitles you to copies of our quarterly print magazine and helps support a long legacy of quality nonprofit arts journalism.