Theresa Rebeck, Angry Optimist
The Brooklyn-based playwright discusses childhood theatre memories in Cincinnati, the continued gender imbalance in the American theatre, and experiences working on iconic projects.
The Brooklyn-based playwright discusses childhood theatre memories in Cincinnati, the continued gender imbalance in the American theatre, and experiences working on iconic projects.
The Susan Smith Blackburn Prize-winning playwright talks about a life-changing course with Paula Vogel, San Francisco, post-grad revelations, the Kilroys, joy, and loss.
The Bronx-born playwright talks Fornés, trauma-informed writing, and parenthood as a writer.
The Minneapolis-based playwright discusses the importance of intentional audience engagement in diverse and unconventional theatre spaces.
The L.A.-based Colombian playwright, performer, and teaching artist talks about sources of inspiration from the Latine theatre canon and about building close artistic relationships.
The writer of ‘Funny, Like an Abortion’ and ‘The Night Witches’ talks about long commutes, writing science plays, and the parts she wishes she’d been able to play in school.
The writer of ‘Issei, He Say’ talks about making plays from her family’s life, feeling the pressure to tell immigrant stories, and rebalancing her priorities.
This month Brian talks with the award-winning playwright about how he went from technician to playwright, and how to find the real drama behind a true historical event.
This month Brian talks with playwright, director, and performer Aya Ogawa about “hacking away with a machete” toward a career and directing their own work.
This month Brian talks with the playwright, producer, Fire This Time Festival founder, and Apollo Theater director of new works about drama, balance, and Louisiana history.