Plays Are Meant to Be Seen, Not Heard
In the early 2000s, some major U.S. theatres dedicated spaces in their buildings to producing new work by new playwrights. Where are those programs—and those writers—now?
Stories by Francisco Mendoza
What Happened at The Lark?
The beloved New York play development center announced its closure last fall after 27 years, citing ‘pandemic-related crises,’ but its staff tells a different story.
C. Julian Jiménez, Still in Flux
As he prepares for the premiere of ‘Bruise & Thorn,’ the playwright formerly known as J. Julian Christopher is still defining himself—and embracing the parts that remain undefined.
Support for Latinidad Onstage: A Lifelong, Not a Month-Long, Job
For Hispanic Heritage Month, four Latinx/Latine play festival producers talk about their vision for a more expansive and inclusive American theatre.
Dear American Theatre: Don’t Forget About Immigrant Artists
One writer’s extraordinary efforts to prove extraordinary ability for an O-1 visa.
