Theatrical Mustang: Amber Scales on Activism and Acting
This month Woodzick talks to the Southern storyteller and social impact strategist about the clear parallels between making theatre and making a difference.
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This month Woodzick talks to the Southern storyteller and social impact strategist about the clear parallels between making theatre and making a difference.
This month Woodzick talks with Chicago theatremaker Will Wilhelm about taking up more space as a trans non-binary artist, centering gender-imaginative stories in the canon, and finding resilience through the work.
A look behind the scenes of a new, more accessible student production of the popular play centering an autistic character.
The Omaha-based director talks about theatre’s collective brain, doing queer art on Catholic campuses, and how to break through the gender binary in casting.
This month Woodzick talks with the writer of ‘Amani’ about Black futures, expansive visions of gender, and how an archivist can be an activist.
Proposed drag bans aren’t really about drag but about transphobia and homophobia. And they aren’t just threatening marginalized people and their livelihoods—they’re also attacking an art and a form of free expression.
This month Woodzick talks to Denver-based director and playwright Mykai Eastman about EDI work, directorial philosophy, and audience engagement.
In casting Jonathan Larson’s musical with all TGNC actors, director Bo Frazier’s new BoHo Theatre production not only brings new layers to the show—it also provides an example for others to follow.
This month Woodzick talks to the leader of Boulder’s square product theatre, who also teaches theatre at Hamilton College, about making and training theatre without perpetuating damage.
This month Woodzick talks with the singer-songwriter-dancer about his new show and album ‘English With an Accent,’ an allegory about immigration and transformation.