Sarah Rasmussen at the McCarter: ‘It’s Really a New Day’
The theatre’s new artistic director talks about the forward-looking legacy she inherits, and about how post-pandemic theatres may resemble startups.
The theatre’s new artistic director talks about the forward-looking legacy she inherits, and about how post-pandemic theatres may resemble startups.
From interactive children’s adventures to several new-play fests and podcasts, there’s plenty to look at onscreen besides vote counts.
Halloween and the election inspire many of this week’s virtual offerings, but there’s also Brecht and Weill, Paula Vogel, and a space opera.
Reunion readings, Russian troll farms, a married couple in a play about infidelity—there’s plenty to fill your screen time this week.
This is an especially rich week, whether you’re craving meaty drama, durational performance, or livestream experimentation.
His new play, debuting virtually via Cutting Ball Theater, envisions a world beyond conflict and judgment, which for him is a kind of realism.
A Lynn Nottage festival, audio plays galore, a few Shakespeares, kids’ stuff, and so much more.
Solís, who has been leading a BIPOC Critics Lab on his own steam, will lead one under Kennedy Center’s auspices next month.
Check into a motel, or have your mind read, or just sit back and listen to some showtunes.
An especially strong week of archival recordings and live readings of buzzy plays.