Critic Charles Isherwood Leaves NY Times
Originally hired in 2004, Isherwood had outsized influence and aroused passionate feelings, occasionally his own.
Originally hired in 2004, Isherwood had outsized influence and aroused passionate feelings, occasionally his own.
Her iconic black-and-white images of playwrights, collected in a new book, help reveal their subjects’ true selves.
All theatre is about how we get along with each other, the director believes—a useful frame for a show about apartheid.
Nonprofit theatre may be driven primarily by mission, not the market, but that’s no excuse for inequity.
The nonprofit theatre’s mandate to serve as a town hall, a sort of secular church for the democratic spirit, has seldom been more salient.
Why the director and designer, longtime collaborators, decided to serve up Shakespeare in a plywood container.
Multiplicity defines our past and our future, and nowhere is this more true than in the Latinx theatre movement in the U.S.
Latino, Latina/o, or Latinx? We heard good arguments for and against them all, and opted for both greater inclusion and typographical clarity.
How does Lucas Hnath’s play about conflict in a megachurch fit Theater J’s mission? Adam Immerwahr explains.
In his version of the grim fairy tale for 24th Street Theatre, Bryan Davidson adds music and human dimension.